mc-med Chapter 1389 11388 Giving "truth" to plot characters
Chapter 1389 11388 Giving "truth" to plot characters
"Are you feeling better, my sister?" Second Casting Assistant Anna Moffett enjoys the process of giving "truth" to plot characters.
"Only my memory has been tampered with?" Louise Desfontaine, the leader of the SOE women's task force, calmed down.
"It's not 'tampering' but 'resetting'. You can also call it 'copying' like the other sisters." Second casting assistant Anna Moffitt corrected with a smile: "And it's not just the ones that were reset. Memories. And your whole life. 'Life in the Play.'"
"Life in the play." As new chains of memories flooded into his mind like a tidal wave, the expression of the SOE female task force leader became more and more calm. Apparently, she was piecing together the outline of the Broken City from the "pillow talk" in which she described the shelter in bits and pieces from scenes of all-night bliss and lingering. At the same time, everything from the past, whether imprinted on the body or engraved on the spirit, is fading away at a faster pace.
Just as if he blinked his eyes gently, he quietly fell into a dream without a trace. Of course, if you could go back to the past before the blink of an eye, you would definitely be able to feel this fleeting change. It's a pity that time has gone forever: "The personal exclusive branch plot line reset by the law of inverse causality is bound to the 0326 exclusive branch plot line and solidified into an important personal plot key node."
Second Casting Assistant Anna Moffett spoke with a sense of security: "From now on, if anyone wants to tamper with your personal plot, they can only cut off the 0326 exclusive branch plot line."
"What is the difference between the divergence line of the 0326 exclusive branch plot and the main plot line of the 0326 exclusive branch?" SOE women's task force leader Louise Desfontaine will definitely ask.
Anna Moffitt, the second casting assistant, answered very clearly: "Actually, it's a line. For different objects, it is the 'main line' for you and my sisters, and it is the divergence line for the enemy players."
SOE women's task force leader Louise Desfontaine immediately understood: "I understand. This is actually another kind of 'hug together for warmth'."
"Yes, that's it." Second Casting Assistant Anna Moffett couldn't help but sigh: "'The truth of the world is always cruel and beautiful.'"
"My task force is also a trustworthy sister." Louise Desfontaine, the leader of the SOE women's task force, began to think about her partners in the plot.
"Of course, no problem." Second casting assistant Anna Moffett had no reason to refuse.
Again, the base has made steady progress in recruiting new personnel, and the female soldiers are all deeply encouraged.
SOE Women's Task Force:
The prostitute who killed the pimp "Jeanne Forsier",
The female secretary of the bomb expert "Gaile Lemenech",
The dancer "Susie Desprez" who was engaged to a Nazi officer under the pseudonym "Lillian",
Jewish female nurse radio operator Italian female agent "Maria Luzzatto".
After completing the "Character Patch" intake, the SOE women's task force's knowledge has also jumped from the original plot time and space to the shelter plot world. As for everyone's mood, it's like the second casting assistant Anna Moffett sighed sincerely: "'The truth of the world is always cruel and beautiful.'"
"Oh my God!" Jeanne Forsier, the prostitute who killed the pimp who tortured her day and night, suddenly stood up: "Who is that man?" "'The man with the exclusive branch plot line of 0326'. You can Simply call me 'Master', my new sister." Second Casting Assistant Anna Moffett smiled and opened her arms to hug Jeanne Forsier who was in a trance as if she was just waking up from a dream.
"The problem is..." Susie Desprez, a dancer who was engaged to a Nazi officer under the alias "Lillian", had an incredible and incomprehensible look on her face: "How is that possible?"
"Why is it impossible?" Although her personal emotional experience is far from rich or even as plain as water, second casting assistant Anna Moffitt has no personal experience that can empathize with her. But this does not prevent her from understanding the emotional experience of the dancer Susie Desprez, who is "as beautiful as a peach blossom when it is red and swollen; as beautiful as cheese when it is ulcerated".
So he told her the past of the five Lizzie sisters who worked part-time as call girls 24 hours a day.
By the way, in many towns along the interstate highways, during some special celebration days, such as "Beach Festival", "Cherry Festival", "Hot Air Balloon Day", "Lobster Festival", "Oyster Festival" and "Barbecue Festival", five There would be a long queue in front of the motel where the sisters were temporarily staying. Whenever the door is pushed open by a man wearing a cowboy hat, the next man with his hat lowered can't wait to enter. The people behind moved forward one after another, and there was an endless stream from sunrise to sunset. Although the men in the team are dressed in different styles and costumes. But they have the same face. That's right, they are all that "man with the main storyline of 0326's exclusive branch" - Wu Chen.
This is the essence of Sanctuary's "time side". There is a Wu Chen in every criss-crossing plot node, which is the same 0326 that is split or gathered together by the plot nodes. It is completely different from the parallel plot world of different time and space. Just like all shelter players have a unique shelter number, there is only one 0326 at all times and every moment.
"I can understand lining up to enter." Susie Desprez, a dancer who was engaged to a Nazi officer under the pseudonym "Lillian", looked even more shy: "You can enter at the same time..."
"The same thing. Because "plot node" has two dimensions of time and space. Second Casting Assistant Anna Moffett explained patiently: "'Queue to enter' is the continuation of space, and 'Enter at the same time' is the extension of time." Regarding the high-dimensional attributes of "plot nodes", you will soon understand. "
"Okay, Anna." Dancer Susie Desprez certainly understands the simple truth that "existence is truth."
Instead of racking your brains to get the target person to let down his guard and reveal his innermost secrets. Or torture to get the target to give up resistance and interrogate the hidden secrets. In the time and space of the plot, they are all conventional methods that have been proven to be feasible, but each has its own advantages and disadvantages and will not affect the plot's counterattack. Like "SA3 Sisterhood", all plot conflicts can be easily solved by simply taking a photo. It is obviously a more advanced method that transcends plot time and space.
So Irena Joliot-Curie was immediately secretly transferred from the hiding place to the set by the SOE women's task force. When submitting an application for the recruitment of Irène Joliot-Curie to Gestapo leader Adolf Eichmann, Mrs. Kitty also proposed the release of her husband, Frederic Joliot-Curie. accompanying application. Because it was the same "application", Gestapo leader Adolf Eichmann agreed with all of them with a stroke of his pen.
The husband of Irena Joliot-Marie Curie was also released immediately. It was delivered by a special Gestapo vehicle and the handover documents were signed. Officially became the special engineer couple on the set. Assisted "Mother of the Atomic Bomb" Liz Meitner to transform the "Diesel-Electric Hybrid Locomotive" of the "Distinguished Lady" into a "B-VIII Uranium Engine Nuclear Electric Locomotive".
As for the "FGT track changing technology" specially developed for crossing double tracks, the final technology was also completed under the leadership of Dr. Gunther Vince, chief expert of the wide gauge test site of the GGL Greater Deutsche Locomotive Manufacturers Association. tackle key problems.
"I heard that the Soviet Union, which is preparing for the 'Spring Counteroffensive,' is also stepping up the development of track-changing trains so that military trains can smoothly transition from the 1528 mm broad gauge railway left over from the Tsarist era to the 1435 mm standard used in Germany and the German-occupied areas. In order to continuously transport strategic materials from the rear to the front, the Soviet high-level officials issued the expansion plan of the Trans-Siberian Railway as early as the end of February. Many single-track sections have been prioritized to expand into the double-track that we urgently need." The handover was completed. After the ceremony, Mrs. Katie, who returned to the assistant director's car, talked about the latest news she had just learned from the Gestapo headquarters: "I have to say that the direction in which the plot is accelerating and concluding seems to be very beneficial to us."