mc-med Chapter 1431 11430 Hitler’s Hollywood
Chapter 1431 11430 Hitler’s Hollywood
Chapter 1431 1.1430 Hitler’s Hollywood
Platform of the Sachsenhausen Concentration Camp, "Ladies of Distinction".
Lisa, the female reporter who received the encrypted message, walked into the upper cockpit from the "production car".
The "News Interview Room" located in the "Production Car" is equipped with high-tech products from the 1940s that are comparable to the presidential train. These include teleprinters and encoding machines that can encrypt and decipher messages, telephone switches and cipher machines that can answer and make calls, and 700-watt shortwave radio equipment.
"I received a secret call from the studio and the crisis has been resolved." As a female reporter who came from the original plot of "The Great Battle" and completed "covering the same role" in "a cross-plot fusion time and space where the fragments of World War II-like plots are similar and blended", Lisa said, "Now ” was officially identified as Lisa Sterbe, an agent of the Soviet Seventh Bureau. It should be noted that the "personal and exclusive branch plot line of Soviet Seventh Bureau agent Lisa Stebe" is not the core member of the "SA3 Sisters" who returned to the time and space of the plot fragments of "The Great Battle", that is, the war girl Dan The plot memories of Nell and her "era friends and relatives". Rather, it is a new plot derived from the main plot of "a cross-plot fusion of time and space where the World War II-like plot fragments are similar and compatible" and the completion of "coverage of the same characters". From the perspective of personal plot points, the female reporter Lisa in the "previous node" is not the Soviet Seventh Bureau agent Lisa Stebe, and the "next node" completes the crossover of similar and compatible exclusive personal branch plot lines. After the plot is integrated with "same role coverage", the female reporter Lisa is already the Soviet th Bureau agent Lisa Sterbe (tsk tsk, you are indeed the peak of imagination in the Internet era).
In other words, from Lisa, the chief female correspondent of "Signal" magazine in Paris, to Lisa Stebe, the agent of the Seventh Bureau, the fusion and derivation of personal branch plot lines are also subtly and subtly "covered by the same character" in the same place. Node completed.
"Are you sure the mastermind behind this is 'Number Two'?" Second Casting Assistant Anna Moffitt immediately asked.
"Confirmed. The conspirators lurking in the experimental site have also been uncovered." Female reporter Lisa Stebe spoke quickly: "Former design director Richard Felix Paul Wagner, chief expert Gunther... Dr. Vince. They are all elites who are dissatisfied with the Third Reich.”
"I didn't expect it would be them." Pilot Hannah Reich couldn't help but sigh: "The elites of the Third Reich would actually choose to conspire to assassinate the Führer."
"These so-called 'elites' have one thing in common, that is, it is difficult to be successfully brainwashed by the Nazi propaganda machine." Female reporter Lisa Stebe said the key.
"Indeed. This is why the Nazis arrested, persecuted and even purged dissidents." Second casting assistant Anna Moffett also agreed: "The crisis on the set has been resolved, and the next step is to ensure the 'premiere day' Stay safe. Lisa, it’s up to you.”
"Don't worry, the 'premiere day' will definitely not be our 'harvest day.'" As a famous female reporter with an interview pass, Lisa Stebe is about to participate in the media meeting of "National Glory: The Great Battle".
As mentioned before, movie premieres are usually held in theaters or specific event venues, with invited guests including film producers, actors, fans, and media. In addition to the film screening, there will also be a reception and appreciation dinner. So the premiere is also called the premiere.
Referring to the event process of the premiere, the "SA3 Sisterhood" formulated a careful plan.
As usual, media meetings were the most important part of the Third Reich's external publicity, while the reception before the film screening and the thank-you dinner after the screening were social gatherings for celebrities from all walks of life. If the reception speech is given by the number two person, then the speech at the thank-you dinner is probably by the number one person.
Just imagine that the number one or number two figures in the empire are coming to the scene, the security must be top notch. Therefore, these activities that are open to the outside world and open to the inside are mostly not dangerous and rarely have accidents. After the show is over, it will be the biggest test for the 3 German stars of the "SA10 sister group". Because the "lucky ones" among them will have the honor to receive a "private interview" with the head of state. Of course, look at it the other way around. For celebrities in the upper class, this is a huge opportunity. As Mrs. Katie said: "The biggest difference between a salon and a brothel is that what is traded here is not just the body." It is conceivable that one can "personally complete a transaction" with the head of the Third Reich, and the profits are huge.
In the "Vanity Fair" of the Third Reich, all they wanted was "fame and fortune".
The so-called "worth" means "waiting for the price" and never "selling it too cheaply".
It is no exaggeration to say that the Sachsenhausen concentration camp, where celebrities gathered, was like "Hitler's Hollywood."
The "thriving" film circle of the Third Reich, in addition to the classic propaganda films "Triumph of the Will" and "Olympia" that are often mentioned by later generations, and "Jewish Suss" that aroused anti-Semitic sentiments, the Nazis from the time they came to power to their fall, produced a total of He has directed more than a thousand movies, showing off his ambition to compete with Hollywood and establish his own "Dream Factory" star system. Using images to incite emotions, confuse people, brainwash the people, and whitewash peace: "The Third Reich was a dream, Goebbels' dream. Even in the end, the Germans were unwilling to wake up from this dream."
Fascists' behavior of allowing art to serve politics will never be tolerated. However, it is impossible not to be moved by the pink beauties and beauties covered in jewels. To borrow a phrase from a player: "Who can withstand this?"
Hanging on the Air Force's customized version of the Leica IIIc "SMD Camera", female reporter Lisa Stebe met two dazzling female stars when she just entered the press conference after passing strict security inspection procedures.
One is "Garbo" Zari Rundle, and the other is "Dream Lover" Malika Rock.
Zarah Leander, also known as "Sarah Leander". Born Sara Stina Hedberg, Rundle was named after her first husband. She began her acting career in 1929 at the Swedish Provincial Theater, and soon began starring in Stockholm and Vienna. In 1936, she signed a contract with the UFA film studio in Berlin, although her command of the German language was not perfect. During World War II, she became the highest-paid star in Nazi cinema - portraying a charming and elegant martyr in most of the films made in Nazi Germany. Therefore, he was called "Nazi Garbo".
Due to her immense popularity before and during World War II, she appeared on the covers of approximately 80 German magazines. This also upset Nazi Propaganda Minister Joseph Goebbels, who believed that a German actress should be cast. In the 30s and 40s, the German film industry had a tradition of bringing in foreign aid from Northern Europe. Sarah Lund, a Swedish singer and film actress, was the most popular female star in the Nazi German film industry. Some researchers even claimed that She was "the most popular among the male and female stars of the Third Reich, bar none." As we all know, the godlike and unattainable Swede in the history of world cinema is called Greta Garbo. The descendants all want to be like her. When Sarah Lien debuted, she also caused a stir with her "parody of compatriot Greta Garbo." The German UFA Film Company noticed and used her to replace Marlene Dietrich, who had already left Germany. Sarah's first German-language film was made in 1936. She made a total of 10 films for UFA, which formed the main part of her Nazi films. She was promoted as "the great Swedish artist" and "the second Greta Garbo", her androgynous style similar to Garbo brought her a large number of gay fans, in the eyes of these fans, Sarah was "hardly a woman, more like a drag queen", Sarah always Playing a singer, his voice is also "manly".
In 1943, the Germans, who began to fall into war difficulties and were strapped for funds, refused to pay Sarah in Swedish kronor. Her house was also destroyed in an air raid. She secretly returned to Sweden. From then on, her image in Germany plummeted and she was no longer welcome among the Germans. But Sarah did not quit the film industry. In 1944, Swedish radio stations decided not to play her records anymore, and her career undoubtedly fell into a slump. After the war, she worked hard to rebuild her career in Sweden, and in 1949 successfully overcame her producers' fears about working with an artist who had been a famous film star in Germany during the war. Her comeback was less difficult in Austria and Germany, where her return was warmly welcomed by audiences; but in Sweden she is still seen as a politically controversial figure in the eyes of many outside her loyal audience. Although her 1950 film "Gabriela" was the third highest-grossing film in Germany, later films would prove to be the end of her film career - her few post-war films had little success. micro. Finally in the 20s she enjoyed a "comeback" in fame performing in musicals and concerts in Germany and Austria.
By the time she retired in 1978, she was already a famous singer touring the world. To this day, her songs are still covered, her movies are replayed on German television, and her androgynous image is still recreated by subsequent cross-dressing stars. Sarah Lund died in Stockholm in 1981.
It is the same as all the important characters appearing in "The Great Battle" under the "cross-plot fusion time and space where the World War II-like plot fragments are similar and compatible". The "Nazi Garbo" in front of me comes from the plot of the biographical film "Hitler's Hollywood".